Hypnodrone Ensemble Berlin, Germany
Aidan Baker & thisquietarmy's polyrhythmic avant rock collective, regularly featuring such musicians as Jérémie Mortier, Kristin Sebastian, Tobias Humble, Angela Muñoz, Gareth Sweeney, & Simon Goff. Est. 2014.
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supported by 23 fans who also own “Enneun I”
A group that I know only too well, I’ve been with them for nearly 30 years; from their Glaswegian basement origins to their current status as Arena band. My enthusiasm for their later output may have tempered somewhat as the mighty ‘Gwai evolved their sound to avoid pigeonholing, but there is nothing better than when they lay waste to a venue via the sheer euphoria of ‘Helicon 1’. They’re still devastating live and, after all those years, THE authority in Instrumental Rock music.
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Metta, Benevolence BBC 6Music : Live on the Invitation of Mary Anne Hobbs
by SUNN O)))
supported by 20 fans who also own “Enneun I”
Definitely the most relaxing and peaceful Sunn record. I also love the trombone on Troubled Air.
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supported by 19 fans who also own “Enneun I”
For me much of the music Psychedelic Source shares with us feels sacred: mantras for prolonged meditation; inner contemplation leading to outer transformation. Patterns form, shift, reform; endlessly combining and recombining to produce new shining entities, like the essence of life itself.
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Krautrock collides with psych on this rip-roaring EP from El Universo, which pits jagged guitars against lockstep rhythms.
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A Guide To Drowning
by io audio recordings
The physical version of this raucous psych rock EP “comes housed inside a plywood cube surrounded by glass eyes.”
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Vol.1: Tales from Vertexia
by Crowhammer
Spaced-out krautrock and dizzying drone from this Irish band that packs a punch—the sound of being caught in an asteroid belt.
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Angels Of Darkness, Demons Of Light I
by Earth
supported by 19 fans who also own “Enneun I”
Un retour aux sources qui n'en est pas un : par rapport à son prédécesseur qui comptait pas moins de dix instruments différents, Angels Of Darkness, Demons Of Light I n'en contient que quatre, mais il n'est pas question de revenir vers le drone d'il y a quinze ans en arrière. Quand je parle de retour aux sources, c'est parce que Earth se place entre la culture américaine et africaine et que son drone est teinté de blues. Les notes ondulent et claquent, Earth improvise : c'est charnel et spatial.
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